Orestes in Leeds

17th-19th March at 7.30pm at Stage@Leeds

World première of Alex Clark’s adaptation of Euripides’ play
Associated events:
Play-reading Group
Pre-performance talks
Public Masterclass

For full details visit http://visitingresearchfellowship.blogspot.com/p/events.html

Thomas Hardye School pupils learn Latin

From the Dorset Echo

She said: “Studying Classics has given me a much greater understanding of the Classical world. “Learning Latin has been thoroughly interesting and I am now …

Schools’ events at Liverpool

Language Taster Day
Friday 18 February

Ancient Worlds Summer School
25 July – 5 August

quo usque tandem abutere – patientia nostra?

plus ca change

No prizes for supplying the missing name, but I had the great good fortune of breaking my wife’s glasses over Christmas. Even more fortunately, we were in Venice at the time and and chanced to be directed to an area not far from the Hotel, but an area unfamiliar to us. Threatened with imminent flooding from a combination of incessant rain and high tide we stepped gingerly over the temporary flood barrier out of the narrow alley and into the opticians. Whilst the technician went about his work on the damaged frames I went back to  inspect more closely the  flood defences of the shop and my eye was immediately drawn to the front window of the building opposite and to a poster picked out against bright orange paper. Despite my best efforts, I could not persuade the receptionist in this Hotel to let me have the poster, nor the barman in the “Irish” pub further on down the street, whose grasp of English was even more suspect than my Italian. I did manage to explain to him why I wanted the poster and said that if he later saw me walking past his pub poster in hand,  then it probably would be because I had stolen it… I soon realised that most all the shops in this street had this poster, but could I persuade any one to let me have their copy? I needn’t have worried. Lo and behold, on the next corner, a printer’s shop, with said poster on display in the window! Could I have it to take back for my A level Latin pupils? No! But I could pay for a copy.  By the time I got it back to my classroom it looked as battered as it should – given the struggle to get it and  its journey across Europe.. You can get your copy here

Hans Orberg and his contribution to Latin pedagogy.

“Orberg is the natural successor to W H D Rouse in that his Lingua Latina per se illustrata is the natural choice for anyone wanting to teach via the Direct Method….”

Here is David Carter’s article, which also appears in the current edition of the JCT.  Orberg’s lecture can be found on the ARLT website

“Ask a sixth-former studying French or Russian to read a random page of Moliere or Tolstoi, and they will probably make a decent fist of it.   Ask a sixth-former studying Latin to read a random page of Caesar or Ovid, and after only a line or two they will come grinding to a halt and have to reach for the dictionary.

Why is the fluency of students of Latin so abysmal when compared with that of students of modern languages?   Latin teachers are fertile with excuses, but an outside observer would conclude that the inferior results are simply down to inferior teaching methods.

Modern Language (MFL) teaching is fast paced, with teachers insisting that the language must be spoken as much as possible during class.  As a result far more of the language goes through the student’s head, which improves their vocabulary; they are forced to develop the ability to handle it at a brisk pace; and they have to process the words in the order they are spoken (what chance does any student have of ever becoming fluent who is taught such barbarisms as “find the verb, the subject and the object?”)

In short, the “direct method” acts as a discipline, which forces the student to develop the skills to read and speak the language quickly.  Students of Latin on the other hand, encouraged to think of Latin as a sort of intellectual word puzzle which they have all the time in the world to translate, simply never read it fast enough to become fluent.

In revolt against the killing slowness of traditional Latin teaching many teachers have thought to apply the direct methods used in MFL.  For such teachers the primary coursebook will usually be Hans Orberg’s Lingua Latina per se illustrata.

Hans Henning Orberg (1920 – Feb 17th 2010) was educated at the University of Copenhagen, and qualified as a teacher of English, French and Latin in 1946.   Orberg records that from the beginning he practised the direct method of teaching in his English and French lessons, but with Latin he found this impossible.  However:

“I could see no reason why Latin should be taught by methods totally different from those used in the teaching of modern languages. I felt that Latin is a foreign language like other foreign languages and should be taught by similar methods. I was inspired by the work of English direct-method pioneers like W. H. D. Rouse and R. B Appleton, and by my compatriot Otto Jespersen and his disciple Arthur M. Jensen, who had launched an English reading course called English by the Nature Method.  His idea was to make every sentence presented to the students immediately intelligible per se, or self-explanatory, by grading and organizing the intro­duction of vocabulary and grammar. That means that there is no need to translate or explain grammatical points in the students’ own language, they are enabled to discover for themselves directly the meaning of the words and sentences and the functioning of the grammatical rules.”

Orberg published his first book, Lingua Latina secundum naturae rationem explicata in 1955. After many years of classroom teaching he revised it in 1990 and changed the title to Lingua Latina per se illustrata (from now on “LL”).    The LL course consists of two parts, Familia Romana and Roma Aeterna, along with a series of classic texts – Caesar, De Bello Gallico;  Plautus Menaechmi, Petronius Cena Trimalchionis, Plautus Amphitryo, Sallustius et Cicero: Catilina.

Because LL is written entirely in Latin it may be used anywhere.  It is popular in Europe, especially Spain and Italy, but also has followers in France, Portugal, Belgium, Germany, Czech Republic, Croatia and Poland.   In Italy the Lingua Latina system has been recognised this year as the best recommendable alternative to traditional teaching by the Ministry of Education in Rome, largely due to its championship by Luigi Miraglia, one of Italy’s leading Latinists.   In the United States Lingua Latina is quite widely used, especially at college level, and there is an active Orberg List on the teachers’ website www.latinteach.com

However, in Britain Orberg and LL are practically unknown.  So in the remainder of this article I will describe the first book of the series, Famila Romana, in some detail for UK  readers.

Theory – underlying principles

There are 35 chapters and 328 pages in Familia Romana, all in Latin.   “The object”, says O, “is to accustom the student, from the start, to read and understand the Latin text as Latin without the interference of English, or with a minimum interference of English.”  

To achieve this O. has written an elementary Latin text in which the student can infer the meaning and function of all new words and grammatical forms from the context.   “The text is carefully graded.  The progressive introduction of words, inflections, and struc­tures, with due regard to their frequency in Latin writers, should conform to a well defined pro­gram which not only ensures immediate comprehension, but also assimilation and consolidation owing to the constant recurrence in new surroundings of words and forms already introduced and under­stood.” 

Students “are enabled to work out for themselves, that is to infer or induce, the rules of grammar. No grammatical rule is formulated until the students have seen so many self-evident examples of the phenomenon in context that the rule only states something that they already “feel in their bones”. Such inductive reasoning and learning per exempla is the most effective way to assimilate both vocabulary and grammar.”

Practice – teaching in class

There are 35 stories in LL.   The teacher starts by reading the story aloud, with correct stress and pronunciation of the Latin, while the students follow in their books.  The text runs two-thirds across the page; the remaining third holds notes on any new words or grammar. These take the form of pictures, or simple explanations in Latin.

After the teacher’s reading the students do not have to translate the Latin into English, but individually are asked to read aloud portions of the text.  From their phrasing and pronunciation of the Latin the teacher can usually tell whether they have understood or not.

Each chapter is followed by a section on grammar, Grammatica Latina, and three exercises, Pensum A, B and C.   Pensum A is a grammatical exercise, where the missing endings are to be filled in.   In Pensum B students are asked to fill the blanks with new words introduced in the chapter.   Pensum C consists of questions to be answered with short Latin sentences.

The students are allowed to keep their books open during these exercises and to find the answers in the text.  The fact, says O,  that they are able to go to the correct point in the story to find the answer proves that they have understood the Latin. [Answers to all these exercises are provided within the Teacher’s Materials handbook.]

O. demands that after the story starts only Latin should be used, but he does not prohibit the use of English entirely.  Before starting he is happy for the teacher to discuss the chapter in English.   And if at the end of the story students are still puzzled by a Latin word even after the Latin explanations, a one or two word English equivalent is acceptable.    Grammatical explanations can be in English.

Am I as pretty now as when you married me?

Finally, an extract from one of the stories to give a flavour of Lingua Latina.  O. is emphatic that the stories must be enjoyable in themselves, to hold the students’ attention, and to make them benevoli, attenti, dociles.    Often they are informed with a certain sly humour.   For example in capitulum XIX  Iulius tells his wife Aemilia how he fell in love and married her because she was the most beautiful girl in Rome.   A delicate conversation follows in which a man who doesn’t know num from nonne will find himself in serious trouble:

Aemilia:   Num hodie minus pulchra sum quam tunc eram?

Iulius faciem uxoris intuens, “Certe”, inquit, “matrona tam pulchra es quam virgo eras, mea Aemilia.  Omnes pulchritudinem tuam laudant.”  Tum vero formam eius spectans: “At minus gracilis es quam tunc.  eo enim tempore gracilior eras quam hoc signum Veneris.”

Aemilia signum Veneris aspicit, cuius corpus gracilius ac minus est quam ipsius.  “Certe tam gracilis hodie non sum,”  inquit, “sed quare me crassiorem fieri putas?”

Iulius ridens respondet: “Quia nunc cibum meliorem es quam tunc edebas.”

Aemilia:  “Id quod nunc edo nec melius nec peius est quam quod apud parentes meos edebam.”

Iulius:  “Ergo plus es quam tunc, Aemilia!

END

A lecture by Hans Orberg describing the ideas behind Lingua Latina per se illustrata may be found on the website of the Association for the Reform of Latin Teaching (www.arlt.co.uk).   Editions of Lingua Latina per se illustrata are published by Focus Publishing in English-speaking countries, and by Domus Latina in Europe.  “

David Carter   www.classicalworkbooks.com

Comparing Roman and Iranian Books of Kings

You might have missed this Iran Book News Agency announcement – and, alas, you have definitely missed the session on the Aeneid which was held just before Christmas. But in case you were not aware that the Aeneid attracts scholarly debate in Iran, here is the opening announcement:  
“This week’s Book City session is given to an analysis of Aeneid, Roman book of the kings, with the Persian Shahnameh where Dr Mir Jalaleddin Kazazi will make a speech.
IBNA: Great Latin epic, Virgil’s Aeneid, is one of the great three heroic poems of the Europe; the other two are the Iliad and the Odyssey. Like Odyssey, Aeneid follows the events narrated in Iliad. Virgil’s masterpiece is translated into Persian by Dr Mir Jalaleddin Kazazi. The volume was picked up as the Book of the Year after its publication. …..”
and it concludes with
“This week’s Book City Session on Aeneid will be held on Tuesday 21 December at 16:30 (location: 3rd Alley, Bucharest St., Shahid Beheshti Ave.) and it is open to the public.”

“There’s been a Latin teacher in this building since 1843. I refuse to be the last.”

December 28th 2010

From parentcentral.ca

“Latin lovers fight to keep the Latin language in Ontario’s schools:

Here are some things that Amy Liu knows, for 10 points each:

From its Latin derivatives, a ventriloquist is someone who speaks from their belly instead of their lips. Something “marmoreal” is made out of marble. The Ancient Romans’ word for greed was avaritia.

Amy is 17.  Actually, it’s her 17th birthday, and she’s chosen to spend it at the Certamen………”

It’s the familiar story…… young person enjoys learning Latin and appreciates how it will be of benefit. Parents support and encourage its study. Universities and educators acknowledge its value – yet somehow it just has to go.  Too expensive?  Not relevant?  Too elitist? Sound familar?!

The whole article is here, with some reassuring counter-arguments: http://www.parentcentral.ca/parent/education/schoolsandresources/article/911126–latin-lovers-fight-to-keep-the-language-in-ontario-s-schools

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